La mejor cámara Fujifilm
Quizás se pregunte por qué me sentí obligado a escribir una guía completa para el comprador sobre la mejor cámara Fujifilm.
La verdad es que he estado fotografiando Fujifilm durante años, ¡pero todavía tengo problemas para entender su línea de productos!
¿Tal vez eres el mismo? En el momento de escribir este artículo, Fujifilm ofrece nada menos que 39 cuerpos de cámara de la serie X.
Eso está muy bien, pero muchos de ellos no solo se ven similares, sino que también comparten sensores y tienen varias características superpuestas...
Además de la filosofía de mejora continua ("kaizen") de Fujifilm de proporcionar actualizaciones de firmware consistentes para mantener competitiva su línea de productos existente, ¡también tienen la costumbre de lanzar muchas cámaras y accesorios cada año!
En esta guía, he intentado eliminar todo el ruido y ofrecer mis recomendaciones de las 9 mejores cámaras Fuji en 2022.
Echemos un vistazo más de cerca.
Mejor cámara Fujifilm en 2022
Imagen | Producto | Características | |
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Fujifilm X-T4MEJOR VALOR EN TODO |
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Fujifilm X-H1MEJOR PARA BAJA LUZ |
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Fujifilm X-Pro3MEJOR INCOGNITO PARA PROFESIONALES |
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Fujifilm X-T200MEJOR PRESUPUESTO FUJI |
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Fujifilm X-T30MEJOR VALOR EN TODO |
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Apuntar y disparar Fujifilm X-A7FLEXIBLE |
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Fujiflm X100VBLO MEJOR PARA UN VIAJE SENCILLO |
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Fujifilm XF10MEJOR APUNTAR Y DISPARAR |
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Fujifilm GFX-100MEJOR CALIDAD DE IMAGEN |
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1. Fujifilm X-T4
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Tamaño: 132,5 x 92,8 x 58,8 mm (5,2 x 3,6 x 2,3 pulgadas)
Peso: 539 g (19 onzas)
Sensor: X-Trans CMOS 4 y X-Processor 4
Megapíxeles: 26
- Cuerpo ergonómico resistente a la intemperie
- Ranuras para tarjetas SD UHS-II duales
- La pantalla táctil inclinable se voltea y gira 180 grados
- Excelente enfoque automático
- Calidad de imagen líder en su clase
- Capacidades mejoradas con poca luz
- Extremadamente personalizable
- Hasta 30 fps de disparo continuo
- EVF nítido, fluido y de gran capacidad de respuesta
- Duración de la batería mejorada
- IBIS de 5 ejes
- Increíbles opciones de video
- Sin GPS
- No hay histograma de color al disparar
Me gustaría comenzar diciendo que la Fujifilm X-T4 (revisión) es la mejor cámara sin espejo APS-C que Fujifilm haya producido. Realmente, literalmente hace casi todo y lo hace extraordinariamente bien.
La fotografía fija es exquisita. El sensor X-Trans 4 puede captar mucha más luz que el sensor de la X-T2 o cualquier otra cámara sin espejo APS-C Fuji. La cámara ahora tiene un rango ISO de 80 a 51200.
Como era de esperar de una cámara Fujifilm, los archivos JPEG fuera de la cámara de la X-T4 requieren poco o ningún procesamiento, lo que produce fantásticos resultados directos de la cámara. tiros.
Si dispara en RAW, el sensor X-Trans 4 captura una cantidad asombrosa de información, lo que permite un amplio espacio para recuperar los reflejos y/o recuperar las sombras en Lightroom o en el software de edición de su elección.
El enfoque automático de la X-T4 ha mejorado una vez más con respecto a la ya capaz X-T3; sigue mejorando. Al incorporar un sistema AF híbrido con contraste y detección de fase, es ultrarrápido y una mejora significativa con respecto a las generaciones anteriores.
Además, la X-T4 cuenta con estabilización de imagen de 5 ejes mejorando drásticamente la reducción de vibraciones y la fotografía con poca luz. La captura de 30 fps en el modo de disparo en ráfaga es francamente ridícula.
La pantalla giratoria es ideal para vloggers y fanáticos de las selfies | © Greg Cromie
Las imágenes fijas no son el único lugar donde brilla la Fujifilm X-T4. Hay significativamente más opciones de video que casi todas las demás cámaras sin espejo que existen y es indiscutiblemente increíble en lo que resulta.
Graba video 4K a 60 Fps, y las simulaciones de película Eterna y Eterna Bleach Bypass son excelentes si no te molestas en graduar el color de tu metraje.
Gracias a la nueva pantalla LCD que gira 180 grados, es una cámara ideal para vlogging, ya que ya no es necesario un monitor externo para poder verse a uno mismo.
Las ranuras para tarjetas de memoria duales que aceptan las tarjetas SD UHS-II más rápidas realmente consolidan la posición de la X-T4 como una cámara para profesionales serios . La copia de seguridad en la cámara es prácticamente una necesidad para los fotógrafos de bodas y cualquier otra persona que necesite crear un nivel de redundancia para sus imágenes mientras está en el campo.
No hay casi nada que esta cámara no haga bien. Es lo suficientemente pequeño para fotografía callejera y de viajes, de alta calidad para paisajes y retratos, e imbatible para videos y vlogs.
Con el objetivo Fujinon adecuado, la Fujifilm X-T4 hará casi todo lo que necesite.
Fujifilm X-T4 + Fujifilm XF 16 mm f/2.8 | © Greg Cromie
Por supuesto, la X-T4 tiene al menos una limitación:su capacidad de luz de bajo nivel nunca será igual a la de una cámara de fotograma completo. (Sin sorpresa.)
Básicamente, si puede permitírselo, la Fuji X-T4 es una cámara casi perfecta que es la mejor combinación de tamaño, precio y calidad para las cámaras sin espejo de Fuji. Incluso he conocido a personas que se deshacen de sus fotogramas completos por este pequeño.
Si está buscando el máximo ancho de distancia focal, profundidad de campo o un mayor rendimiento con poca luz, probablemente necesite invertir más en una cámara con sensor de fotograma completo. Para todos los demás, la Fujifilm X-T4 es la mejor cámara sin espejo disponible en el rango.
¿Para quién es la Fujifilm X-T4?
Si estás buscando la mejor cámara sin espejo versátil Fuji tiene para ofrecer, la Fujifilm X-T4 es lo tuyo. Confía en mí, esta es sin duda la mejor cámara insignia de Fuji:esta es la crema de la cosecha actual de cámaras con sensor Fuji APS-C.
La actualización o no de la generación anterior dependerá de lo que esté haciendo con ella. Para la fotografía callejera y de viajes, por ejemplo, es probable que aún se parezca mucho a la X-T3.
Para fotografía deportiva y otras necesidades de enfoque automático rápido/disparo continuo, definitivamente tome la Fuji X-T4.
Y para el vídeo... simplemente guau. Gracias a las nuevas simulaciones de película y pantalla LCD, la X-T4 es definitivamente el camino a seguir para un tirador híbrido que necesita tomar imágenes fijas de nivel profesional y luego, con solo presionar un interruptor, grabar video con calidad de transmisión. metraje .
Además, si está buscando una cámara increíblemente capaz con IBIS, la X-T4 será una excelente opción.
Por qué debería comprarla La Fujifilm X-T4 es una cámara que lo hace todo y que desafía la necesidad de fotograma completo. El mejor todoterreno de Fujifilm.Ver precio más reciente →
2. Fujifilm X-H1
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Tamaño: 139,8 x 97,3 x 85,5 mm (5,5 x 3,8 x 3,4 pulgadas)
Peso: 673 g (23,7 onzas)
Sensor: X-Trans CMOS III y X-Processor Pro
Megapíxeles: 24
- Estabilización de imagen en el cuerpo
- Cuerpo ergonómico resistente a la intemperie
- Ranuras para tarjetas SD UHS-II duales
- Botón del obturador táctil
- Pantalla táctil receptiva
- Reducción de parpadeo
- Increíbles tonos de piel
- Cuerpo grande ideal para lentes/manos más grandes
- El enfoque automático no es tan rápido como el X-T4
- Opciones de video limitadas
La Fujifilm X-H1 (revisión) fue la única cámara de la serie X de Fujifilm que presentó IBIS. Sin embargo, la X-T4 ahora incluye IBIS, lo que la convierte en una opción increíblemente atractiva. Independientemente, hay una serie de razones de manejo para que elija este cuerpo algo más grande.
En primer lugar, la Fuji X-H1 es una cámara más robusta. No es enorme como una DSLR de fotograma completo, es solo un poco más grande. Esto lo convierte en una combinación mucho mejor para lentes más largos/más pesados.
Gracias al espacio adicional en el cuerpo, los botones AFL y AEL se sienten mejor que en cualquier otra cámara de la serie X. El mayor tamaño de la empuñadura también funciona mejor para aquellos con manos más grandes:esta es una de las pocas cámaras sin espejo que no me hace extrañar la ergonomía de mis DSLR.
Por supuesto, con el aumento de tamaño también obtienes más peso. Para algunos, esto será una decepción, sin embargo, el aumento de peso en comparación con una DSLR no es nada y la X-H1 se sentirá fantástica en la mano.
El IBIS de la X-H1 funciona increíblemente bien, por lo que si disparas principalmente a pulso con lentes fijos no estabilizados, esta versátil cámara Fuji es una opción obvia. También hace que disparar cámara en mano en situaciones de poca luz sea mucho más fácil de manejar.
El uso de IBIS para permitir niveles ISO más bajos en una cámara con sensor APS-C es una gran ventaja:puede disparar cámara en mano a velocidades de obturación mucho más lentas de lo que lo haría de otra manera, lo que significa que no es necesario aumentar el ISO para lograr un toma nítida con poca luz.
JPEG directo de la cámara con la Fujifilm X-H1 + Fujifilm 16mm f/1.4 | 1 seg f/7.1 ISO100 | © Mark Condon
El X-H1 tiene una reducción de parpadeo. Esta es una gran ventaja para cualquier persona con iluminación fluorescente, de mercurio o mixta:¡fotógrafos de bodas, tomen nota!
Otra razón es el botón disparador táctil de la X-H1, que es nuevo en la línea de Fuji. Lleva un tiempo acostumbrarse, pero una vez que lo hace, el obturador de todas las demás cámaras parecerá lento. Realmente, "toque de pluma" no es una exageración aquí:el más mínimo roce del botón y su disparo está hecho.
Como ocurre con todas las cámaras Fuji, la ciencia del color es increíble. Para cualquier foto con personas en ellas, los tonos de piel son increíbles con la X-H1. Puede que no sea lo suficientemente vívido para fotografías de paisajes o naturaleza, pero para retratos, es absolutamente hermoso.
El video de la Fuji X-H1, sin embargo, en realidad no se acerca a la X-T4. El antiguo procesador del X-H1 simplemente no se mantiene al día con algunas de las características más nuevas, aunque las actualizaciones de firmware marcan una gran diferencia.
Mi esposa usando la Fujifilm X-H1 + Fujifilm 16 mm f/1.4:definitivamente es una de las cámaras sin espejo más voluminosas.
El compromiso de Fuji con su fórmula 'Kaizen' de mejoras continuas realmente se nota, y significa que puede mantener el mismo cuerpo de cámara durante varios años sin necesidad de actualizar el hardware.
Otra diferencia con la X-T4 es que Fuji reemplazó el dial de compensación de exposición que normalmente se ubicaría en la parte superior de la cámara con un monitor secundario. Si está acostumbrado a que el dial de exposición esté allí, esto probablemente lo irritará inicialmente. Otros, estoy seguro, probablemente encontrarán útil la pantalla secundaria; también se ve muy bien cuando está retroiluminada.
Aún así, esta es una cámara de la que muchas personas se enamoran. Si tiene un estilo de disparo más lento y suave (es decir, no está filmando acción y/o necesita un AF súper rápido), es posible que realmente aprecie el estilo y la sensación únicos de la Fujifilm X-H1.
Solo asegúrese de actualizar el firmware, ya que marcan una gran diferencia en el rendimiento de esta cámara.
¿Para quién es la Fujifilm X-H1?
La Fujifilm X-H1 ahora es solo uno de los dos modelos de la serie X con estabilización de imagen en la cámara, por lo que si necesita poder disparar cámara en mano con poca luz, esta es la cámara que debe obtener.
También es una gran elección para aquellos que están acostumbrados al peso de una DSLR, tienen manos más grandes o simplemente les gusta el equilibrio que una cámara más robusta aporta a lentes más grandes/pesados.
Personalmente, tengo manos grandes y la transición de un cuerpo DSLR a una sin espejo más pequeña me pareció un poco molesta, especialmente sin el uso de una empuñadura de cámara. Sin embargo, con el X-H1, me siento como en casa.
La X-H1 también podría ser para ti si haces estilos más lentos de fotografía fija:retratos, paisajes, arquitectura, macro, etc. Es bastante diferente a sus otros primos de la serie X y se destaca del resto por su robustez y ergonomía práctica.
La reducción del parpadeo de la X-H1 también podría ser un factor decisivo para aquellos que realizan muchas tomas en interiores:poder evitar las temidas "bandas" cuando se dispara con luz artificial es un gran ahorro de tiempo.
Evite la X-H1 si es un fotógrafo de acción, busca una cámara más liviana y compacta o necesita opciones de video de primera clase.
Por qué debería comprarla La Fujifilm X-H1 es un monstruo IBIS de poca luz con un diseño robusto y ergonómico y un procesador que lleva al sensor Fujifilm X-Trans al límite.Ver precio más reciente →
3. Fujifilm X-Pro3
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Tamaño: (ancho) 140,5 mm × (alto) 82,8 mm × (profundidad) 46,1 mm/(ancho) 5,5 pulgadas × (alto) 3,3 pulgadas × (profundidad) 1,8 pulgadas
Peso: 497 g/17,5 oz
Sensor: X-Trans™* CMOS IV y X-Processor Pro
Megapíxeles: 26.1
- Visor híbrido avanzado
- Calidad de visor inigualable
- Pantalla abatible
- Segundo monitor secundario para simulación de película y datos de disparo
- Excelente calidad de imagen
- Construcción de metal resistente a la intemperie
- Excelente calidad de construcción
- Sellado contra el clima
- Magníficas imágenes de la película
- Rendimiento mejorado de la batería
- Gran martillo de respaldo
- El control deslizante ISO está mal colocado
- La pantalla LCD oculta no es para todos
La Fujifilm X-Pro3 (revisión) es una de las últimas cámaras de la serie X de Fuji (2019) y continúa con la reputación positiva de la serie X-Pro. Su estilo y construcción están diseñados para emular la sensación de la fotografía cinematográfica. Además de esto, está tratando de forjar una relación más cercana entre la cámara y la experiencia de disparo.
Para aquellos que nunca han filmado antes, la principal diferencia que encontrarán entre la Fujifilm X-Pro3 y otras cámaras de la serie X es el visor híbrido. . La única otra cámara que tiene esto es la serie X-100, incluida la nueva Fuji X-100V.
La Fuji X-Pro3 con su exclusivo visor híbrido le brinda una experiencia al estilo de un telémetro de la vieja escuela.
La X-Pro3 es la única cámara de lentes intercambiables del mundo que incorpora un visor tanto óptico como eléctrico, con tres opciones diferentes.
El visor electrónico, que es de aprox. OLED de 3,69 millones de puntos, funciona como el visor sin espejo estándar y muestra la imagen y la información de la pantalla LCD.
Como era de esperar, el visor óptico mostró el mundo real con una pantalla LCD superpuesta para mostrarle las configuraciones clave de la cámara. Una nueva característica de esto es la capacidad de ver de antemano cómo se encuadraría la imagen de diferentes lentes de distancia focal.
La opción híbrida del visor inteligente es tener la pantalla óptica completa y luego, en la esquina inferior derecha, aparece una pequeña pantalla LCD para mostrarle imagen en imagen. Utiliza tanto la vista en vivo con una pantalla LCD para asegurarse de que el balance de blancos, el ISO y otras configuraciones sean óptimas.
Tener toda la escena en el visor de la X-Pro3 realmente te permite capturar la acción en el momento justo. No puedo decirte lo genial que es esto, tienes que probarlo por ti mismo.
Especialmente si es fotógrafo de deportes, reportero gráfico o fotógrafo de vida silvestre, es posible que nunca quiera volver a las pantallas LCD de las series X-E o X-T.
El Fuji X-Pro3 tiene un estilo verdaderamente único y retro. La pantalla LCD está oculta y tiene acceso constante al submonitor para simulación de película y datos de disparo.
Cuando se trata de calidad de imagen, la X-Pro3 utiliza la última tecnología de Fujifilm para ofrecer imágenes exquisitas independientemente de las condiciones de iluminación. Contiene el nuevo Fujifilm X-Processor Pro y el último sensor de imagen CMOS X-Trans IV.
Si bien es posible que un sensor recortado como este no pueda ofrecer las imágenes de gran detalle de un sensor de fotograma completo, el Fuji X-Pro3 funciona admirablemente, lo que hace que muchos se cuestionen la necesidad de cambiar a fotograma completo.
Cuando se trata de video, el Fuji X-pro 3 ha mejorado en su iteración anterior, ya que admite video 4K completo de hasta 29.97p. Si bien no se comercializa como el modelo insignia de Fuji para video, la X-Pro 3 produce una calidad de video excepcional, especialmente con la simulación de película Eterna relativamente reciente.
El estilo y el diseño de la serie X-Pro siempre han sido el centro de atención gracias a su telémetro y estética retro. Es una cámara de gran apariencia y agrega algo especial a su experiencia de disparo con muchos primeros observadores que creen que es una cámara de película.
La Fuji X-Pro3 tiene una calidad de construcción increíble con un marco de magnesio sólido y placas base y superior de titanio. Realmente podrías clavar un clavo en la madera con esta cámara. La versión estándar es negra y tiene un aspecto muy sigiloso, lo que la hace perfecta para la fotografía callejera. Dos variaciones adicionales, incluidas Duratech Black y Duratech Silver, tienen un recubrimiento especial de titanio que es resistente a los rayones.
¿Para quién es la Fujifilm X-Pro3?
La Fuji X-Pro-3 es la última cámara insignia, lo que significa que se adaptará a aficionados y profesionales avanzados. La mayor atracción de esta cámara será la excelente calidad de imagen, el estilo retro y el exclusivo visor híbrido. La diferencia clave entre seleccionar esta cámara y la nueva X-100V es que la X-Pro-3 tiene lentes intercambiables.
Si le encanta la apariencia de las cámaras de película de la vieja escuela con un estilo retro, entonces esta cámara le brindará todo eso más la última tecnología digital de vanguardia que Fujifilm puede reunir. Es lo mejor de ambos mundos y brindará una calidad de imagen excepcional a través de una gama completa de características y funciones en la cámara.
Why You Should Buy A true design classic, with amazing optical performance and a one-of-a-kind hybrid viewfinder.Ver precio más reciente →
4. Fujifilm X-T200
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Size: 121.0(W) mm x 83.7 (H) mm x 55.1(D) mm / 4.8 in.(W) x 3.3 in. (H) x 2.2 in. (D)
Weight: 370 g (13 oz.)
Sensor: APS-C CMOS
Megapixels: 24.2
- Simple menu and camera controls
- Physical dials, despite the size
- Great autofocus
- Improved handgrip
- Económico
- Pocketable size
- Fácil de usar
- Built-in EVF
- Pantalla táctil inclinable
- Excelente calidad de imagen
- 4K video @ 29 fps
- Not a good fit for larger hands
- Sluggish in general
The Fujifilm X-T200 (review) is a super-compact entry-level mirrorless designed to appeal to mobile phone users who want to enter photography – much like the X-A7.
Unlike the less expensive X-A7, the X-T200 has a built-in electronic viewfinder and has more advanced settings, allowing for greater creative control.
It’s actually Fuji’s least expensive X-series camera that includes an electronic viewfinder – most photographers I know prefer having a viewfinder to compose their images, especially in strong sunlight.
It comes with a 3-way tilt touch screen, improved video ability with 4K at 29.97P for up to 15 minutes – making this a brilliant camera for vloggers.
This upgraded version from the original X-T100 has a new and improved grip making it far easier to hold – especially for those of us with bigger hands.
The Fuji X-T200 about half the weight of many of the more advanced X-series cameras. In fact, the Fujifilm X-T200 is downright tiny but still manages to feature a decent 3 inch tilting touchscreen.
Talking of the screen, a key feature for all the vloggers out there is the ability to flip the screen to the front. This means that when combined with a wide-angle lens, the Fujifilm X-T200 can be used to film yourself at arm’s length – fortunately, there’s also an external 3.5mm mic input, HDMI and USB-C connectors.
The huge 16:9 ratio touch screen allows for full menu control as well as a simple icon menu system that will be appealing to smartphone photographers.
Unfortunately, the kit lens that often comes with the X-T200 is sluggish on the focus. However, you have a huge range of cheap primes and zooms available. If you’ve never worked with interchangeable lenses before and wanted to try it out, this is a great place to start.
In terms of shooting performance, it’s clear that this is Fuji’s entry-level option – autofocus speed is sluggish, as is the camera operation in general.
However, it has to be said that if you’re coming straight into the Fujifilm system and this is your first experience outside of a smartphone, you probably won’t notice any of the slowness – it’s only when you start to compare to the more expensive cameras in their lineup that you’ll see the difference.
If you’re looking for a hassle-free entry-level mirrorless camera that can be had for less than 700 bucks, you can’t wrong with the Fujifilm X-T200. The front-flip LCD screen is also unique on an inter-changeable camera at this price point.
Who is the Fujifilm X-T200 for?
The X-T200 is the perfect first camera for someone new to photography or wanting to step up from smartphone photography. It’s simple to operate, yet offers room to grow into more advanced creative control. It also happens to be the Fuji’s least expensive interchangeable lens mirrorless with a built-in viewfinder.
If you’ve got a limited budget, the X-T200 is the cheapest way to take advantage of all the amazing Fujinon lenses, not to mention those film simulation modes that have made Fujifilm cameras so desirable.
It’s also a great second camera for the pro or advanced amateur when they don’t want to lug around all their heavier gear – just be aware that there’s only one card slot.
Why You Should Buy An inexpensive and fun camera for getting started with the wonderful world of Fujifilm film simulations and X-series lenses.Ver precio más reciente →
5. Fujifilm X-T30
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Size: 118.4 x 82.8 x 41.4 mm (4.7 x 3.3 x 1.6 in.)
Weight: 383 g (13.5 oz.)
Sensor: APS-C X-Trans CMOS III
Megapixels: 26.1
- Feature-packed compact camera
- 425-point phase-detect autofocus system
- Excellent face detection capabilities
- The same sensor as the X-T3, but at a much lower price
- Pequeño y ligero
- Vídeo 4K
- No IBIS
- Viewfinder not designed for those who wear glasses
- Can only shoot 10 minutes of video at a time
The Fujifilm X-T30 (review) is essentially a smaller, lighter version of the X-T3. It uses the same processor, same phase-detection system, and even the same frame rate capability. If you’re wanting the X-T3 or X-T4 but can’t afford it, this is definitely the camera to buy.
The Fuji X-T30 has the same styling as the retro X-T3 and also features the same sensor and processor.
It also makes a great backup body to the X-T3 or X-T4, but remember, there’s only one card slot. If Fujifilm had provided a dual card slot, I don’t see any real reason that professionals would keep buying the X-T3 over this little pocket-rocket.
In fact, the X-T30 has enhanced face detection and eye-tracking. You can now choose the face that you want to lock on to, which is great when shooting crowds of people when you need to hone in on just one subject.
It also has a few additional functions designed to cater to the less professional photographer (i.e. Advanced SR Auto, etc.). Also, the Fujifilm X-T30 is somewhat smaller, which will be a big plus to travel photographers.
The only real trade-offs for going with the X-T30 are a limited buffer, fewer body controls (it’s a smaller camera), no weather-proofing and only one card slot. Otherwise, it’s essentially the same camera as far as still photography is concerned.
Still, during those 10 minutes, it can record 8-bit 4:2:0 video direct to the SD card or 10-bit 4:2:2 video to an external recorder. That gives you plenty of post-processing leeway.
It also comes with the Eterna film simulation, for those who don’t want to spend time colour grading – Eterna gives a soft, muted look to the overall image, making it particularly suited for skin tones.
Eterna has actually been one of the most compelling reasons for videographers to use the newer Fujifilm cameras that offer it – the flat, low-saturation look offers more flexibility for post-production, but also looks beautiful straight out of the camera.
For photographers, Eterna can be applied to stills on the Fujifilm X-T30 too, offering a truly unique look to the final JPEG – somewhere between Classic Chrome and ProNeg Std. I like to use it in the early morning (blue hour) when shooting outside.
Overall, considering the X-T30 retails for a full $500-$600 less than the X-T3, you’re getting an amazing camera. If you want the exceptional performance and features of the X-T4 but don’t have the cash, the X-T3o is really your best bet.
Who is the Fujifilm X-T30 for?
The Fujifilm X-T30 is for those who want the quality of the X-T3 or X-T4, but don’t want to fork out the cash.
Amateurs, hobbyists and pros will all love this camera. Basically, it’s for everyone who doesn’t need the features of a full-frame, wants top-of-the-line features otherwise and is looking to spend less than $1,000.
In my mind, it’s only the hardened professional who absolutely needs a weather-proof body with dual card slots, who would pay the extra to get the X-T3 or X-T4.
The Fujifilm X-T30 is an absolute bargain of a camera – this much technology packed into such a stylish body at an affordable price is a true rarity, but Fujifilm has managed to accomplish it.
Why You Should Buy The Fujifilm X-T30 features flagship technology in a smaller, less expensive package. Best bang for the buck Fujifilm camera of the year.Ver precio más reciente →
6. Fujifilm X-A7
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Size: 119.0(W) mm x 67.7 (H) mm x 41.1(D) mm / 4.7 in.(W) x 2.7 in. (H) x 1.6 in. (D)
Weight: 320 g (11 oz.)
Sensor: APS-C CMOS
Megapixels: 24.2
- Sharp, top-quality images
- Great colour and tonal reproduction
- Front-flip LCD screen
- Fácil de usar
- Compacto
- Relatively inexpensive
- Face/eye detection focus
- Sluggish autofocus with kit lens
- No electronic viewfinder
- Awkward to use
If you’re looking to make your first foray into the world of mirrorless cameras and don’t want to spend a lot of money, the Fujifilm X-A7 (review) is a great choice. Plus, over its previous incarnations, the Fuji X-A7 has had some serious upgrades.
Its large sensor and interchangeable X-series lens system open up a whole world of photography beyond the smartphone, without being too complex for novice users.
As one of Fuji’s least expensive X-series mirrorless cameras , the Fujifilm X-A7 doesn’t have a viewfinder, but the simplified, user-friendly controls paired with its exceptional image quality make it a great entry-level camera.
The X-A7 features a large 16:9 ration LCD touch screen that can face the front – perfect for filming yourself vlogging, or for that all-important selfie-shot – there are even in-camera selfie settings that help you look your best!
Leave it on Auto to take advantage of its excellent point-and-shoot capacities, or delve into its manual controls and get more creative.
Either way, the Fujifilm X-A7 is an excellent camera for first-timers or smartphone shooters who are looking to go deeper into the world of photography.
The Fujifilm X-A7 is a great entry-level interchangeable lens camera.
Fortunately, the autofocus on the X-A7 has been greatly enhanced thanks to its new sensor and processor. However, the included kit lens is terribly sluggish to the detriment of the performance of the camera. If you find it too slow, then I’d recommend buying the body only and pairing it with a better zoom lens, or investing into a fast prime.
It’s also a good idea to invest in a better lens if you’re wanting to do a lot of low-light photography. With the new sensor, low light performance has greatly improved on this camera – noise is less of an issue when shooting at higher ISO.
As far as video is concerned, the full HD video quality is high-quality. This has been boosted to shoot a respectable 4K video at 29 fps making this a perfect camera for vlogging or for holiday videos.
Overall though, the Fujifilm X-A7 is an impressive little camera for beginners (see guide) that’ll slide into your jacket pocket with ease.
It takes great photos (both Raw and Jpeg), is available in a range of colours (the fake-leather accents are a nice touch), and offers a low-priced entry-point to the great X-mount Fujinon lenses.
The Fuji X-A7 features a huge 16:9 ratio touch screen with simple icon menu controls
Who is the Fujifilm X-A7 for?
The Fujifilm X-A7 is perfect for those who are looking to upgrade from their smartphones and explore the interchangeable lens world.
It’s beginner-friendly , won’t break the bank, and allows you to invest in X-series lenses while upping your game on an easy-to-learn camera.
The styling is also clearly aimed at the fashion-conscious vlogger, with good looking fake-leather side panelling that elevates the camera above plasticky point and shoots.
Why You Should Buy The Fujifilm X-A7 is the perfect step up from a smartphone for photographers wanting a no-nonsense point and shoot.Ver precio más reciente →
7. Fujifilm X100V
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Size: (W) 128.0mm × (H) 74.8mm × (D) 53.3mm /(W) 5.04in × (H) 2.94in × (D) 2.10in
Weight: 478g / 16.9oz
Sensor: X-Trans™* CMOS IV &X-Processor Pro
Megapixels: 26.1
- Awesome hybrid viewfinder
- A new sharp, fast lens
- The latest X-Trans IV sensor
- Highly customizable
- In-lens ND filter
- Compact, beautiful design
- Inconspicuous styling
- 17 film simulations
- Pobre agarre
- No dual card slot
- Limited weather sealing
Since its launch in 2010, the X100 series has seen a tremendous rise in popularity, culminating with this, the fifth generation Fujifilm X100V (review). And it is fair to say that this is the best of the best.
I’ve owned previous generations, and have always been impressed by the image quality produced by its fixed 23mm (35mm equivalent) f/2 lens combined with Fujifilm’s acclaimed X-Trans APS-C CMOS sensor.
Auto-focus was never a strong point for earlier iterations, but with the V model using the new faster 23mm f/2 Version II lens autofocus is incredibly fast. ,
Fujifilm has created an incredibly versatile , high-quality rangefinder camera that oozes style. Forget the over-priced ‘red dot’ cameras out there – this little number beats them hands down in the aesthetic design stakes.
Whether you take advantage of the hybrid viewfinder or not (which allows you to choose from a conventional optical viewfinder with an electronic overlay or an electronic viewfinder), shooting with the Fujifilm X100V is an utter joy for street, documentary and travel.
The X100V features numerous improvements and refinements over previous models, including the powerful third-generation 26.1 MP X-Trans CMOS IV sensor, X-Processor Pro image processor, smart button layout with joystick AF control , Built-In ISO dial, new film simulations, new lens and more.
If you shoot single-point AF mode like I do, having a joystick or joypad to manually control the AF point is an absolute must.
The refresh rate and clarity of the EVF are incredible, making the EVF seem even more like you’re looking from an OVF.
A continuous shooting mode up to 11 fps combined with a larger buffer and improved AF system means that the Fujifilm X100V can keep up with fast-moving action too… although I’d never call this a camera for sports photography by any stretch.
I particularly enjoy the X100V due to the limitations imposed by its fixed lens – despite all the amazing Fujinon X-mount lenses available, I sometimes prefer the simplicity of having a camera with no lens options… and thanks to the incredible sharpness/contrast of the built-in new 23mm f/2 II, I don’t feel like I’m missing out on anything.
The built-in ND filter is also a great touch, and something I find myself using it a fair bit when shooting the kids out in the broad daylight – it’s nice to still be able to get a shallow depth of field with that gorgeous f/2 lens.
We haven’t mentioned the aesthetics of the camera yet, but it goes without saying that this is one gorgeous camera to look at and to hold. The retro-rangefinder inspired styling is a sure hit for any photographer and is sure to attract some compliments.
(If you want to go a step further with some customisations, check out our article on accessories for the Fujifilm X100 cameras.)
Overall, I highly recommend this camera, whether you’re a professional or a beginner. The Fujifilm X100V is a fantastic all-round camera that’s perfect as an everyday workaround or even used to earn money as a pro photographer – just remember there’s only one card slot.
Who is the Fujifilm X100V for?
The tack-sharp lens, the professional image quality, and the no-hassle compact-size make the Fujifilm X100V the perfect everyday carry camera for the dedicated photographer.
It’s a particularly convenient pocket camera for travel, street, or documentary photography.
If you’re looking for a Fuji camera that can shoot beautiful straight-out-of-camera JPEGS, as well as competent RAWs, but don’t have time for multiple lenses, this is definitely the camera for you. It also happens to be an absolute joy to use.
Why You Should Buy The Fujifilm X100V is the perfect pocket camera for uncomplicated family, travel, and documentary shooting. My favourite of the bunch.Ver precio más reciente →
8. Fujifilm XF10
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Size: 112.5 x 64.4 x 41.0 mm (4.4 x 2.5 x 1.6 in.)
Weight: 278.9 g (9.8 oz.)
Sensor: APS-C CMOS
Megapixels: 24.2
- Excellent image quality, especially JPEG
- Excellent lens performance
- Low noise at high ISOs (RAW and JPEG)
- Beautiful colours
- Surprisingly good battery life
- Super-compact
- Touchscreen
- Gran valor
- 4K/15p video, not a serious feature
- Buffer fills quickly when shooting RAW bursts
- Slow autofocus
- Shallow grip
The Fujifilm XF10 is a high-performing, minimum-fuss point-and-shoot camera that’s perfect for travel if you want a step up in quality from your smartphone.
It comes with a fixed 18.5mm f/2.8 (28mm equivalent) wide-angle lens that is optimized for its 24.2-megapixel APS-C sized sensor.
Even though I’m a fan of shooting at 35mm, I find 28mm a welcome break, and perhaps even better suited for travel photography, allowing you to get more in the frame.
The main reason to upgrade from a smartphone to the Fujifilm XF10 is sensor size – the APS-C CMOS sensor inside the XF10 is a full 14 times larger than the sensor inside conventional smartphones.
Combined with the impressively fast f/2.8 wide-angle lens, the low-light and depth-of-field performance of this little pocket camera far exceed anything even the best smartphones can do… yes, even Portrait mode on your fancy new iPhone!
A quick word on the latest smartphone background-blurring features – it’s definitely a step in the right direction, but it’s still just A.I. making the tweaks – it’s definitely not foolproof, and sometimes produces rather odd results, where the background looks like a painting.
Compared to the size of an iPhone 7, it’s easy to see why the Fujifilm X-F10 is so popular with travellers.
It’s hard to mark the Fujifilm XF10 down for all the features that it’s missing, like a tilting or vari-angle rear screen, viewfinder, image stabilization, etc., since it’s not meant to be that kind of camera. Think of it as a luxury point-and-shoot.
What the Fujifilm XF10 does do, it does superbly. The natural skin tones and beautiful colour reproduction are worth it just in themselves.
The 18.5mm fixed lens provides outstanding detail and sharpness . It’s wide enough to get more context, but not so wide that it brings in elements of distortion. Overall, it’s just a superb little travel camera that’ll slide into your back pocket.
As mentioned before, I love the limitations a fixed-lens system imposes – there’s no ‘temptation’ to bring every other lens you own, and you’re forced to improve, shooting the same focal length constantly, until you can visualise the scene before even lifting the camera to your eye.
Another bonus is that the XF10 is super-easy to use. The 3″ touchscreen operates just like a smartphone , responding to pinch and zoom, drag, and swipe gestures. The controls are so simple, in fact, most can operate it easily with just one hand.
On top of this, the XF10 weighs just 279g (9.8 oz). (Smartphones are generally between 160-200g.) It’s also much less expensive than other premium point-and-shoots on the market in 2022.
So if you travel a lot or simply want a lightweight camera that outperforms your smartphone, you’ll want to take a serious look at the Fujifilm XF10. Its slim size, sharp wide-angle lens, and excellent image quality make it one of the best pocket-camera options in this price range.
Who is the Fujifilm XF10 for?
The Fujifilm XF10 is a top-quality pocket camera for smartphone upgraders. Its slim design, excellent performance, super-sharp wide-angle lens, and smartphone-like controls make it the perfect first step up for those who do lots of street and travel photography.
It does have its limitations, but that’s to be expected for an inexpensive point and shoot camera that’s not trying to shoot up there next to the big boys – the XF10 has created its own niche in the pocket camera market, and it’s currently dominating it very well.
Why You Should Buy The Fujifilm XF10 is a minimum fuss point-and-shoot camera with all the gorgeous Fujifilm film stock simulations, that slips easily into your back pocket.Ver precio más reciente →
9. Fujifilm GFX 50R
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Size: 160.7 x 96.5 x 66.4 mm (6.3 x 3.8 x 2.6 in.)
Weight: 775 g (27.3 oz.)
Sensor: 43.8mm x 32.9mm Bayer array
Megapixels: 51.4
- Out of this world image quality
- Great handling
- Excellent price for a modern medium format digital camera
- Endless customization ability
- Weather sealing
- Excelente visor electrónico
- Relatively slow autofocus
- Slow continuous shooting speed
- Not great at video
- Shallow grip
Most often used in fashion and advertising, medium format cameras used to be out of reach for most photographers. Many can run up to over $40,000 for the camera body alone.
At the end of 2016, Fujifilm came out with one of the first mirrorless medium-format cameras ever:the Fujifilm GFX 50S, which I reviewed here.
Pricewise it finally brought medium-format cameras into the range of the enthusiast, while offering portability not generally seen in these high-end cameras.
The newer Fujifilm GFX 50R is a lighter, less expensive version of the 50S, with almost everything else the same.
Roughly the size of a DSLR, the GFX 50R (review) combines the incredible image-capturing performance of a medium format camera, the handheld familiarity of a DSLR, and the irresistible film-like design we all know and love in a Fujifilm camera.
In short, it’s something of a revelation in the camera industry and has photographers from every other brand looking over to the Fujifilm camp with envy…
Crazy shallow depth of field from the Fujifilm GFX + 110mm f/2 GR | 1/200 f/2 ISO500.
Like its older brother, the Fuji GFX 50R has a 51 mp sensor that is 70% larger than a full-frame camera’s. That means it provides exceptional imagining performance – sharpness, colour reproduction, ISO range, and noise performance are far better than even the best full-frame camera in 2022.
The fall-off from in-focus to out-of-focus on the GFX 50R is just incredible – pairing it with one of the fast Fujinon GF lenses will leave your jaw on the flow when you see your images on a high-quality photography monitor.
In addition, the dynamic range is great too. The high-resolution files provide seemingly endless editing flexibility, even in JPEG images.
The shutter speed is also pretty impressive – 1/16000 when using the electronic shutter.
Because of its smaller, lighter build, the Fujifilm GFX 50R is more portable than the standard medium format cameras and can be used for wedding, documentary and even street photography.
It’s also weather-sealed , which further enforces Fujfilm’s desire for photographers to take this one out of the studio.
I could go on about the look and feel of the GFX 50R, but if you’re familiar with Fuji cameras it won’t surprise you that particular attention has been paid to everything from the composition of the operation dials to the clicking sensation and sound.
It’s a beautiful camera to hold and work with, although the limited grip will make you nervous at times – particularly in cold weather when shooting with gloves.
Don’t expect the Fujifilm GFX 50R to function like an APS-C or full-frame camera. It’s very different, especially in terms of depth of field. The depth of field on a medium format is considerably shallower than APS-C or a 35mm full-frame, and it can take some practice getting everything in focus.
Also, don’t expect to be doing much video on this camera. Today’s medium format cameras still don’t have what it takes for being good at shooting video, and the Fuji GFX 50R is no exception. If you’re buying this camera, it’ll be for the exceptional stills it can create, not its video.
Another thing to keep in mind if you’re not used to medium format cameras is that the autofocus system on the GFX 50R is somewhat slower than what we’re used to on smaller frame cameras.
The GFX features incredible dynamic range | 45mm f/2.8 GR | 1/125 f/2.8 ISO100
There are also much fewer lens options out there for Fuji’s medium-format cameras, although the roadmap does promise some interesting options for the future.
That being said, if you’ve been wanting to try out a medium format camera and haven’t been able to afford one, the Fujifilm GFX 50R is really the best option out there.
It’s $1,000 less than the 50S and about $2,000 less than the Hasselbad X1D, its most direct competitor. Depending on which lens you buy, a GFX 50R setup can cost half as much as a similar X1D kit.
This isn’t a camera for the casual photographer or for those needing fast autofocus or a super light camera. Instead, it’s for those that crave the super high resolution, stunning image quality, and the medium-format “look.” The GFX 50R will perform best in slow, deliberate environments like the studio or on a landscape photographer’s tripod.
It may look like a giant rangefinder, but this isn’t a camera you’ll be doing run and gun style street photography with, even though it’s definitely tempting!
If you want to elevate the look of your photos with a bit of the elusive medium-format-magic, this is a great place to start. It’s not “cheap” by any stretch, but its $5,500 price tag puts it far more in the reach of the enthusiast than ever before.
Who is the Fujifilm GFX 50R for?
The Fujifilm GFX 50R is for serious photographers looking for the exceptional image quality of a medium format camera.
It’s especially great for commercial fashion and advertising photography where every megapixel counts, but as the GFX 50R is impressively portable, it can also be taken off the tripod and used for wedding, portraiture, and even street photography – just don’t expect lightning-fast shooting performance.
If you told me that medium format digital cameras would be in the reach of non-professional photographers in 2022, I’d never have believed you. Fujifilm has made this possible.
Why You Should Buy If you’ve got the money, don’t even think about it. The Fujifilm GFX 50R offers the absolute best image quality out of a camera this size.Ver precio más reciente →
10. Fujifilm GFX 100
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Size: 156.2mm (W) × 163.6mm (H) × 102.9mm (D) / 6.15in. (W) × 6.44in. (H) × 4.05in. (D)
Weight: 1,400g / 49.4oz.
Sensor: 43.8mm x 32.9mm Bayer
Megapixels: 102
- Insane image quality
- Great handling
- Excellent price for a modern medium format digital camera
- Great customization ability
- Weather sealing
- Interchangeable EVF
- Price of a new car
- Slow continuous shooting speed
- Massive body
- Poorly designed thumb rest
When you first see and pick up the Fujifilm GFX100 you are almost immediately intimidated by its size. With the appearance of a Fuji X-T4 with a battery grip, it still holds that true Fuji retro design.
This truly is a beast of a camera and for good reason, as it’s sporting a whopping 102-megapixel sensor.
At the end of 2016, Fujifilm came out with one of the first mirrorless medium-format cameras ever:the Fujifilm GFX 50S, which I reviewed here.
Before long the rumours of Fuji’s continued pursuit into medium format camera were circulating, that a 100-megapixel camera was on the way. This generated a lot of excitement amongst fashion and portrait photographers who were already enjoying the other GFX cameras and lenses.
Price-wise the GFX100 is by no means an impulse-buy kind of purchase. Coming in at the same price as a new, small compact car you really have to be serious about return on investment.
In terms of its size, this is around the size of a big pro-level DSLR, if not bigger. The GFX100 produces images with insane levels of detail thanks to its exceptional image capturing performance, all within a familiar Fuji retro body packed full of features.
Basically, this is a rare beast in the photography world and is the envy of every camera manufacturer that Fuji was able to bring to market such an incredible camera.
You will not believe your eyes when you see the quality of images either on a quality monitor or even printed out in the large format. Thanks to an exceptional range of Fujinon GF lense, you have the ability to achieve incredible fall off from the in-focus to out of focus elements.
In addition, the dynamic range is great too. The high-resolution files provide seemingly endless editing flexibility, even in JPEG images.
The GFX100 boasts an impressive shutter speed of 1/4000 in mechanical and 1/6000 in the electronic shutter.
Despite its size, the GFX100 is still a relatively portable camera and would perform exceptionally well in wedding and portrait photography. Thanks to its comprehensive weather sealing, you will not hesitate to get out and about with this camera to capture gorgeous images not just in the studio setting.
The build quality of this GFX camera is outstanding with a retro feel that in no way compromises ergonomics and handling. Due to its size, the GFX100 has a built-in handgrip that houses dual batteries and provides additional controls for portrait orientation shooting. Whilst a heavy beast of a camera, it’s still very easy to work with and the interchangeable EVF provides flexibility in how you operate the camera.
Control dials and buttons have been sensibly placed to ensure ease of use and familiarity of control and there are terminal ports for studio shooting or for videography built-in.
Whilst not the most practical camera for video, most medium-format cameras are ineffective at video, the GFX100 does shoot 4K at 30p which is pretty respectable.
When it comes to autofocus, the GFX100 has vastly improved over the previous GFX models as the hybrid autofocus system performs at a similar capacity to a Fuji mirrorless camera. Face and eye detect operate as expected and overall the focusing system is fast and sharp.
Thankfully, the Fujinon GFX lens range is growing with 7 primes and 3 zooms available, with more promised in the near future. There are also much fewer lens options out there for Fuji’s medium-format cameras, although the roadmap does promise some interesting options for the future.
When it comes to price, the GFX100 is up there with the best of them, although not nearly as expensive as some of those red-dot medium format cameras. And none of them has the capacity to create such high details images nor boast a 102-megapixel sensor.
Traditionally medium-format cameras have been developed for slower and more intentional shooting conditions such as being in a studio or setting up a cracker of a landscape shot. However, the GFX100 seems to break from the class with its faster autofocus and relative portability. There is no reason why you could not employ this camera for weddings, events or even dare I say street photography.
If you are looking at medium-format as a serious next step in your pro photography, the GFX100 is an incredible option to have as you will be creating images with world-class levels of detail and dynamic range.
But keep in mind that it is either this or a new car!
Who is the Fujifilm GFX100 for?
The Fujifilm GFX100 is a camera designed for serious photographers looking for the exceptional image quality from a medium format camera.
If you work in a commercial photography business that covers fashion, models and advertising, then having the capacity to capture such highly detailed images will set you apart from the rest with the GFX100.
And as mentioned, there is no reason why you cannot take this camera out and about for use in every setting and genre. Imagine being able to capture astrophotography with a 102-megapixel sensor?
Why You Should Buy Mind-blowing image quality in a robust body that’s not much bigger than a flagship DSLR. Insane detail allows for huge prints or extreme cropping.Ver precio más reciente →
How to Edit Fujifilm Images
For some reason, not a lot of photographers know about a piece of software called Capture One Pro Fujifilm 12 – a powerful image editor that’s tailored for Fuji camera owners.
Aside from all the core features of Capture One Pro, this software also includes the ability to view/edit all the Fujifilm Film Simulations that you know and love.
In addition, all the Fujifilm colours and tones (whether RAW or JPEG) are reproduced more faithfully in Capture One Pro Fujifilm 12 than in Adobe Lightroom, for example.
There are a couple of ways to buy the software – one is a subscription plan, the other is to buy it outright. Fortunately, both versions are on sale at a 50% discount right now – check out our review of Capture One 12 for more information.
My Recommendations
If you want a short version of the reviews below, here are my suggestions of what Fujifilm X camera body to invest in:
Want the best all-round Fuji camera in 2022? Get the Fujifilm X-T4. It’s a real multi-purpose body, with a sensor and features to keep up with full-frame cameras.
What if you want the X-T4… but can’t afford it?! Get the Fujifilm X-T30 – amazing bang for the buck, and a baby version of its big brother. Most of the best features, for a lot less money.
Want a camera you can just grab and shoot with minimal fuss? Get the Fujifilm X100V. It’s what I use as an everyday walk-around, or when I’m travelling and want something compact. The new fixed lens is exquisite and offers welcome simplicity in a world of lens options.
Want the best Fuji camera for vlogging? While all the Fuji cameras offer great video recording, it’s the X-T200 that offers that all-important front-facing screen.
Want the absolute best image quality without sacrificing size? The Fujifilm GFX100 is the camera if you have deep pockets and a thirst for insane IQ.
Realistically though, investing in any Fujifilm camera containing the legendary X-Trans sensor will set you up for a lifetime of great photography and a truly unique shooting experience.
Preguntas frecuentes
Are Fujifilm Cameras good for photography?
Fujifilm has created an impressive lineup of cameras that use the latest technology to deliver outstanding results. While the two giants of the camera scene – Nikon and Canon – still have legions of dedicated fans, many photographers have been making the switch to Fujifilm without regrets.
Is Fujifilm good for video?
Yes – generally speaking, Fuji cameras offer excellent video recording capabilities. The Fujifilm X-T200 is a great one for YouTubers as it is light and also has a front-facing screen.
Which Fuji camera is best?
The best Fuji camera for you will depend on your needs. For the best all-around Fujifilm camera, our top pick is the Fujifilm X-T4. For travel, we love the Fujifilm X100V. If you’re after a small and lightweight point-and-shoot, we’d go with the Fujifilm XF10.
Where are Fujifilm cameras made?
The majority of Fujifilm cameras and lenses are made and manufactured in Japan.
Best Fuji Cameras | Palabras finales
This was an especially difficult guide to write. The fact of the matter is, every single Fuji camera on the market in 2022 could be a great choice for you.
The Fuji X series has cemented itself with its high quality, feature-packed, aesthetically pleasing, well-built, and above all, enjoyable to shoot a range of cameras.
Throw in Fujifilm’s years of experience creating some of the world’s finest film stocks, and you have a camera that can shoot in film emulation modes that would make any keen Instagrammer do cartwheels!
In this guide, I’ve selected what I believe are the 9 best Fujifilm cameras – the best bang for your buck, despite the presence of newer models.
Hopefully, by seeing them all laid out in this one guide, you’ll be able to make an educated decision on which Fuji camera should have pride of place in your bag.
Now get out there and start shooting;-)