Revisión de las mejores cámaras para fotoperiodismo

El fotoperiodismo se ha vuelto muy popular porque la gente aprecia las imágenes en lugar de las palabras escritas.

Para convertirse en un reportero gráfico galardonado, necesita dos cosas:sus habilidades periodísticas y una cámara de alta calidad.

Examinar las numerosas marcas de cámaras del mercado no es fácil.

Para evitar confusiones, debe comprender la última tecnología y funciones de la cámara de fotoperiodismo, lo que puede requerir mucho tiempo.

¿Tienes poco tiempo?

No entrar en pánico; En este artículo, revisamos la mejor cámara para fotoperiodismo que logra el equilibrio adecuado entre calidad y precio.

Nos sumergimos en las características de cada cámara en detalle y mencionamos sus características esenciales, pros y contras.

Nos aseguramos de que realice una compra más informada al brindarle los factores que debe considerar antes de comprar una cámara de fotoperiodismo.

Profundicemos y analicemos las mejores cámaras de fotoperiodismo que debería considerar comprar.

Las mejores cámaras para fotoperiodismo | Reseñas de productos

Sony a9 II 

Sony ha presentado recientemente esta excelente cámara para fotoperiodismo, que es fantástica.

Esta cámara es una potencia en velocidad, calidad de imagen, enfoque automático, velocidad de ráfaga, seguimiento y reconocimiento de sujetos.

La Sony a9 II es la primera cámara del mundo en tener un sensor CMOS apilado de fotograma completo con memoria integrada.

Esta joya puede tomar fotos a hasta 20 fotogramas por segundo de forma constante y sin interrupciones, lo que la hace perfecta para el fotoperiodismo.

La cámara no tiene apagones; tiene un obturador electrónico completamente silencioso que lo coloca en una liga propia.

Le brinda la ventaja de disparar en silencio sin que nadie se dé cuenta o alerte al sujeto y el cumplimiento de su momento decisivo para disparar, sin causar ninguna molestia.

¡Sigilo total!

Otro beneficio de esta cámara es su velocidad de obturación que le permite empujar dos puntos más rápido, hasta 1/32,000 seg.

Incluso en las condiciones más soleadas, puede disparar con una apertura amplia si es un usuario de lentes fijos rápidos y amante del efecto bokeh.

La cámara tiene una batería potente que puede durar hasta 480 disparos con un visor y alrededor de 650 imágenes con un monitor LCD.

Puede usar Sony a9 II para grabar videos de hasta 105 minutos con un visor y 120 minutos con un monitor LCD.

La Sony a9 II tiene una temperatura de funcionamiento de entre 32 y 204 ℉ y de 0 a 40 °C, lo cual es impresionante.

Viene en numerosos accesorios, como una tapa de zapata de accesorios, un adaptador de CA, una copa de ocular, un cable de alimentación y un cargador de batería BC-QZ1.

Además, viene con un cable micro USB, protector de cable, tapa para el cuerpo y correa para el hombro.

La cámara que viene con todos estos accesorios le ahorra la lucha de comprarlos por separado y unos pocos dólares.

Productos destacados 

• Wi-Fi de 5 GHz, Ethernet 1000BASE-T
• Ranuras para tarjetas SD UHS-II duales, notas de voz
• Sensor CMOS Exmor RS de 24,2 MP
• Disparo de hasta 20 fps, ISO 100-204800
• EVF OLED cuádruple VGA de 3,7 m puntos sin apagón
• Pantalla táctil LCD inclinable de 3 pulgadas y 1,44 metros
• Vídeo UHD 4K30p, Eye AF en tiempo real
• Estabilización INTERIOR SteadyShot de 5 ejes
• Procesador de imagen BIONZ X y LSI frontal
• Fase de 693 puntos

Ventajas

• Vídeo 4K
• Captura sin apagones a 20 fps
• Transferencia de archivos inalámbrica y por cable
• Sistema de enfoque automático superlativo
• Protección contra polvo y salpicaduras
• Sensor de fotograma completo de 24 MP
• IBIS de 5 ejes

Contras

• La batería no está a la altura de las SLR rivales
• No se incluyen perfiles de video S-Log
• No se puede cambiar a video al borrar el búfer de imagen

EOS R5 de Canon

Con la reducción de la tasa de compra de cámaras en los últimos años, muchas marcas están ideando diferentes formas de atraer a los clientes.

Canon tiene uno único; incluya todo en la especificación y observe cómo los clientes comienzan a ingresar.

Esa es generalmente la idea detrás de la EOS R5.

EOS R5 es sin espejo con todas las características que requiere un reportero gráfico.

Tiene un sensor de cuadro completo de 45 megapíxeles y puede capturar video 4K y 8K, lo que lo convierte en una excelente opción, independientemente de lo que pretenda filmar; retratos, deportes o bodas.

Si te gusta fotografiar sujetos en movimiento a un ritmo, esta cámara es para ti.

Tiene un modo de ráfaga de 12 cuadros por segundo que aumenta a 20 fps si usa la versión de obturador electrónico.

Eso es realmente muy rápido, lo que garantiza que nada saldrá mal.

Canon EOS R5 tiene un excelente sistema de estabilización en el cuerpo que es bueno para hasta ocho paradas; esta es una gran cantidad de asistencia anti-apretón de manos.

Productos destacados 

• Calidad de video 8K y una opción de video sin procesar
• Cobertura del 100 % del sistema Dual Pixel II AF con detección humana y animal entrenada mediante aprendizaje automático
• EVF OLED de 5,76 millones de puntos con una frecuencia de actualización máxima de 120 fps
• ráfagas de 12 fps/20 fps 
• Pantalla táctil completamente articulada
• 1x ranura de ranura CFexpress
• Sensor CMOS de doble píxel de fotograma completo de 45 MP
• Fotos HDR de 10 bits en formato HEIF
• Reclamado sellado contra la intemperie a los niveles de EOS 5D Mark IV

Ventajas

• Modos de enfoque automático supremos:el seguimiento de humanos/animales es impresionante
• Imágenes súper detalladas de 45 megapíxeles
• Ráfaga mecánica de 12 fps
• La estabilización de imagen en el cuerpo es excelente

Contras

• Punto de enfoque fácil de mover al tocar accidentalmente la pantalla
• Se sobrecalienta en los modos de video de alta gama, lo que limita el tiempo de grabación en la cámara

Canon EOS 5D Mark IV

Canon ha continuado con su legado de producir cámaras de trabajo de calidad con el lanzamiento de la 5D Mark IV.

Comencemos con el objetivo de 24-105 mm f/4L II, que lo convierte en una opción fantástica para la fotografía y un dispositivo de video 4K.

Desde el momento en que levante esta cámara, notará la sujeción satisfactoria que proporciona.

Los ingenieros de Canon han reducido el peso de la 5D Mark IV en 60 g en comparación con la versión anterior, la Mark III.

La cámara cuenta con un botón personalizable justo debajo del joypad, que puede usar para realizar numerosas funciones con el dial de control frontal.

Por ejemplo, puede configurarlo para controlar ISO y alternar la sensibilidad sin apartar la vista del visor.

La sensibilidad de su sistema AF es -3EV (-4EV en Live View), más oscuro que la luz de la luna. Por lo tanto, no puede tener problemas para enfocar con poca luz con esta cámara.

Esta cámara es perfecta para fotografía de naturaleza y deportes gracias a su combinación de teleconversor/objetivo con una apertura máxima de f/8.

La pantalla trasera tiene una resolución impresionante, lo que la convierte en una de las pantallas más nítidas del mundo del fotoperiodismo.

También hace que componer tomas sea fácil y excelentemente sencillo, sin ruido de señal perceptible.

La 5D Mark IV tiene puertos para auriculares, puertos para micrófonos externos, terminales USB 3.0 y HDMI Mini, que son esenciales para todos los fotoperiodistas.

También cuenta con conectividad NFC y Wi-Fi, lo que facilita la transferencia de imágenes a un dispositivo compatible, y eso sin olvidar la unidad de GPS integrada para el etiquetado de ubicación.

Productos destacados

• Sensor CMOS de 36 x 24 mm y 30,4 MP
• Batería recargable de iones de litio LP-E6N
• Rango ISO de 100-32 000
• Conversión de longitud focal de cuadro completo
• pentaprisma óptico con aprox. 100% de cobertura
• Velocidad de obturación de 30-1/8000 s más Bulb
• 890 g de peso
• Resolución de vídeo 4K a 30 fps
• Velocidad de ráfaga máxima de 7 fps

Ventajas

• Construcción y manejo sólidos
• AF de CMOS de doble píxel para visualización en vivo y video
• Sensor de 30MP que lo hace mucho mejor que sus rivales de 24MP

Contras

• El recorte de 1,64x del sensor hace que sea difícil obtener tomas de gran angular
• Luneta trasera fija
• Resolución intermedia y velocidad de fotogramas
• Recorte pesado de 1,64x para video 4K

Nikon D5 DSLR

Si es un reportero gráfico que necesita confiabilidad, rendimiento y versatilidad en una cámara, este es el dispositivo que debe comprar.

Tiene un procesador de cinco imágenes y un AE/AF de 12 fps, lo que le permite tener 200 fotos impresionantes.

Además, te permitirá grabar videos 4K de alta resolución a 30 fps.

Nikon D5 DSLR tiene un rango ISO que puede ampliar a 3280000 ISO, lo que le brinda un excelente rendimiento con poca luz.

Por lo tanto, independientemente de su ubicación; low light press conference room or a dark outdoor night, expect quality images with this camera.

Another thing that makes this camera stand out is its color fidelity feature that enhances the photo and video quality making it perfect for documentary photography.

Product highlights

• DSLR form factor
• CMOS Sensor 20.8MP FX-Format
• Time-lapse feature
• Auto white balance
• ISO 102400; can expand to 3280000
• 12 fps continuous 200 shoots

Pros

• Great low light performance
• 4K Video And HDMI Output
• Convenient touchscreen monitor
• Faster continuous shooting
• 153-Point Autofocus System
• UHD video recording
• Better picture quality
• Extended ISO range

Cons

• No Wi-Fi or Bluetooth

Nikon D850 FX

If you want thrilling new capabilities to take excellent shots, Nikon D850 is perfect.

It has a speed of 9 fps which is relatively high but perfect for a photojournalist.

It has a superior AF system that gives it performance stability; hence you can consistently take masterful quality images.

With a resolution of 45.7 megapixels, this camera will give you excellent quality videos and images for photojournalism.

This camera has slow-motion 1080p video recording at 120 frames per second speed.

This camera is pretty easy to use thanks to its tilting touchscreen and battery that lasts for long hours.

For extra photo sharpness when using this camera, have a Fisheye lens mounted.

Product highlights

• SLR form factor
• Full frame sensor
• Video resolution:1080p
• Auto white balance
• ISO 64; expandable to 32
• Nine fps continuous shooting
• Max resolution:47 MP

Pros

• Full frame sensor
• Good for journalists
• Greater dynamic range
• It comes with a flipping touchscreen
• Faster image processing
• Autofocus and white balance
• Vibrant image quality

Cons

• It might be a little bit pricey for beginners.

Fujifilm X-T3

Fujifilm’s new fantastic innovation, the X-T3 mirrorless digital camera, is just what you need to take your photojournalism career to the next level.

One spectacular aspect of this camera is its body, made of durable magnesium alloy. Therefore, you can use it outdoors regardless of the weather conditions.

FUJIFILM X-T3 has a 30 fps continuous shooting speed, applicable when taking moving car photos or creating wildlife documentaries.

It has an X-processor CMOS 4 sensor, a back-illuminated sensor that improves image quality. This feature allows excellent picture quality without an optical low-pass filter.

The camera has an ISO of 160, allowing you to take sharp images almost with zero effort.

Since its AF system can track subjects in motion, it has an ISO range of 12800, perfect for noise reduction.

The NR process helps to reduce it further through differential data.

Product highlights

• Grabación de vídeo 4K
• Mirrorless
• HDMI output
• Auto white balance
• X trans CMOS 4 (26.1MP)
• 11 fps continuous shooting
• Noise-reducing ISO 12800

Pros

• Interchangeable lens type
• Back-illuminated sensor
• Enhanced ISO performance
• Blackout-free continuous shooting
• Tilting touch screen panel
• Internal SD card for storage
• Better color depth

Cons

• A little bit pricey for beginners

Pentax K-1

You want to capture every moment and detail as a photojournalist, and Pentax K-1 allows you to do exactly that.

Your high-quality, low-light performance, precise AF system, superior white balance, and powerful image processor are what you need to stand out.

This camera is engineered using a highly effective full-frame CMOS sensor (36.4 MP); a feature allows you to take excellent quality and high-resolution photojournalism pictures.

It has an ISO sensitivity range that you can expand up to 204800 for better noise reduction.

This improved processing capability lifts low light performance to a satisfactory level.

The full-frame sensor also helps to resist noise at its best.

Regardless of your environment’s lighting conditions, trust its PRIME IV Processor to bring out stunning quality photos.

The Pentax K-1 is one of the easiest to use photojournalism cameras because its functionalities are not so complicated.

Additionally, its body is of excellent quality, allowing you to use it in the rigors of working in harsh weather conditions.

Product highlights

• SLR
• Wireless connectivity
• Cross tilt LCD
• Auto white balance
• 36.4MP CMOS Sensor
• Weight:2.22 pounds
• LED illuminated body points

Pros

• Construcción resistente a la intemperie
• Compact and balanced weight
• Convenient LCD screen
• Flexible Wi-Fi connectivity
• Enhanced ISO performance
• Daylight and cloud balance
• It has an excellent noise reduction algorithm

Cons

• Video resolution is standard but not high.

Canon EOS R6

This camera’s expanded ISO and enhanced AF performance make it stand out in the photojournalism field.

It comes with two shutter options allowing you to shoot continuously at a faster rate.

It has a silent electronic shutter with about 20 frames per second, whereas the mechanical shutter shoots at 12 fps.

Canon EOS R6 has a potent DIGIC X image processor and an ISO range of 100 – 102400, which you can expand further to 204800.

It also has deep learning technology that quickly detects heads, eyes, bodies, or faces, making it easy to capture moving objects.

Canon EOS R6 has a 20MP full-frame sensor that makes it possible to capture high-quality images. You can cover almost 100% area with the dual pixel CMOS AF.

In addition, it has ultra-high-definition video recording capability at 2160p.

It has a tilting screen that allows you to capture images from all angles. Its buttons are well-made and feature an easy-to-use finger positioning while you’re shooting.

Product highlights

• Telephoto lenses
• Mirrorless
• 20 fps continuous shooting
• Auto white balance
• Cont. shooting:12 fps (Mechanical Shutter)
• DIGIC X Image Processor
• Cont. shooting:20 fps (Electronic Shutter)
• Full-frame CMOS (20MP)

Pros

• Incredibly faster shooting
• UHD quality video recording
• Expanded ISO range
• Better AF coverage
• Two shutter options

Cons

• It Lacks a Top LCD Screen
• Limited video recording options

Nikon D4s DSLR

With its image quality and specifically noise performance, Nikon D4s DSLR produces excellent results right up to ISO25600 and ISO51200, the highest ISO setting of any Digital SLR available.

The Nikon D4s DSLR has reliable exposure, detail, excellent color, low noise, incredible dynamic range, and highly continuous shooting and rapid focusing.

With this camera, you can shoot high-speed photos at 199 shots at 9.9fps without slowing down when shooting JPEG.

This speed makes it perfect for wildlife and sports photojournalism.

The body of this camera is awe-inspiring with a magnesium weather-sealed material.

This makes it an excellent value for money as it can withstand any weather condition hence lasting long.

Additionally, it has a two-year warranty; therefore, you can return it to your supplier in case of any issue.

Key features

• 16.2 megapixel FX Full Frame Sensor (Revamped)
• ISO10025600, expandable to ISO50-409,600
• 11fps continuous shooting with AF/AE
• 3.2inch 921k dot screen, improved color range
• Slow-motion 60/50fps in 720p
• Full HD Video, 60p, 50p, 30/25/24fps
• AF with tele-convertor up to f/8
• Uncompressed HDMI output
• Illuminated buttons, back, side, and top LCDs
• Gigabit 100/1000TX Ethernet – with FTP/HTTP support for instant uploads
• XQD and Compact Flash Slots
• IPTC can be added in-camera, GPS GP-1 compatible to update time from GPS signal
• Active D-Lighting, HDR, Picture Control, variety of retouch menus
• Kevlar/carbon fiber-composite shutter unit rated for 400,000 shots
• Spot White Balance metering
• Dual-axis electronic virtual horizon, also visible in the viewfinder
• Create time-lapse videos in the camera
• Updated AF system, 51 AF points, focus and take pictures in moonlight (-2EV)

Pros

• Auto shutter speed control for auto ISO (based on the lens)
• 11fps continuous shooting speed with AF/AE
• Improved battery life
• Excellent 3.2-inch screen
• Excellent weather-sealed build
• Excellent noise performance and expanded range
• Deep buffer
• 400,000 shot shutter rating
• Color adjustable monitor
• 60p and 50p video recording
• Two-year warranty

Cons

• Loud shutter
• It doesn’t include capture NX2 

Camera For Photojournalism:Buying Guide

Buying a photojournalism camera is exciting, and you’ll naturally have a lot of emotions regarding the process.

However, choosing a camera that meets all your needs can be overwhelming, especially with thousands of choices available in the market.

A photojournalism camera is a long-term investment; therefore, you should take your time and decide on the one that will serve you best.

Below are some of the essential aspects you should consider when buying a photojournalism camera:

Image Sensors 

In photojournalism, quality is everything and image sensors help you attain it.

They convert color and light spectrum into electrical signals then the camera converts them into ones and zeros enabling you to capture all excellent moments.

For photojournalism 35mm full-frame sensor is perfect if you want the highest-quality images.

Zooming Abilities 

As a photojournalist, you may need to make videos and capture images from a distance.

Though some cameras may have fixed focal length lenses, which greatly enhance the quality of images, they are not enough for photojournalism.

Get a camera with a decent zoom ability of not less than 10x optical zoom, but 50x optical zoom would be much better.

If you plan to do professional wildlife photography, aim for the highest zoom ability as it requires a high degree of detail in taking images.

Ease Of Use

As a photojournalist, you will have projects that require you to be extremely fast in taking images.

At times, things will happen within seconds, and you need a camera that can capture those moments extremely fast.

Choose an easy-to-use camera so that you don’t miss out on critical moments that are essential in elevating your career.

Size &Weight

You carry your camera almost everywhere as a photojournalist, even in unexpected places.

Therefore a heavy camera with numerous lenses may not be proper for you.

It would be best if you got a camera that has a lightweight and compact size which you can easily carry everywhere.

Resistance

The world of photojournalism is very unpredictable; one time, you’ll find yourself shooting in the rain, another in snow or even wind or sun.

It’s therefore advisable to get a camera that can withstand all weather conditions. Get one that is water, heat, freeze, heat, and dust resistant to avoid getting frustrated.

Low-Light Performance

Though it may sound irrelevant, it’s essential to consider the low-light performance of a camera before investing in it.

As a photojournalist, you’ll shoot in low-light areas like conference halls.

If your camera doesn’t have excellent low light performance, you will end up with low-quality images.

Before purchasing your camera, check its low-light performance with and without a flashlight.

The low-light performance of a camera is signified by its ISO; the higher the number, the less light you will need and better the quality of images and videos under low light.

Manual Control

Manual control is essential in photography as it allows you to control aperture and shutter speed, allowing you to take great shots.

If you buy a mirrorless or DSLR camera, you don’t have to check for manual control as their system is relatively automatic.

However, if you choose to get a bridge or point-and-shoot camera, ensure that you check whether it has manual control.

Precio

Before investing in a camera, consider the cost and ensure that it doesn’t exceed your budget.

Unlike what most people assume, an expensive camera doesn’t necessarily mean excellent quality.

At times, a camera may be costly but lack basic specs, which are critical in photojournalism.

Check its specs before buying your camera and compare it against your work and budget.

Resolution (megapixels)

Today, numerous cameras have high-megapixels of about 45 and even 80 and above. There are two advantages of these megapixels:cropping latitude and big prints.

With a 61 MP camera, you will produce gigantic prints with tons of detail, and you will also be able to crop in on your subject for a magnified view.

Though a camera with high megapixels may serve you well, it has drawbacks.

First, high megapixels typically reduce high-ISO capabilities leading to noisy, low-quality images in low light.

Additionally, high resolution means large file sizes; this causes your memory card to fill up quickly.

When it comes to megapixels, it’s important that you consider your priorities which depend on the shoots you are making.

If you require high resolution images, ensure that you have enough storage.

Durability

If you plan to shoot photos to take videos outdoors, you should buy a weather sealed camera. Your camera will withstand rain, heat, and wind, making it last longer.

Speed

If you are a photojournalist who requires photography action – wildlife or sports- you need a camera with high continuous shooting speeds.

Look into cameras that feature complex tracking algorithms like an animal or human eye AF. Additionally, you can look into 10+ frames per second and 50+ frames buffer.

Photojournalism Camera Equipment

As a photojournalist, you ought to have a quality camera at the very least.

However, there are certain specifics that you should be part of your camera equipment kit if you want next-level photography. They include: 

Lenses

Lenses are essential in creating stunning images as they ensure that the light reaches your camera sensor leading to quality images.

Regardless of the quality of your camera, the wrong lenses can lead to poor-quality photos and videos.

If your camera allows for interchangeable lenses, research the ranges of lenses available and choose based on the kind of shots you would like to take.

Wide-angle lenses will give you a more extensive field of view for Astro and landscapes and Astro.

Telephoto lenses allow you to zoom in on far-away subjects like athletes and birds.

Tripod

A tripod is especially critical if you’re interested in landscape photography or astrophotography.

When using a tripod, the camera stays still during exposures.

Using a tripod allows for lower ISO sensitivity and longer shutter speeds lowering sharp exposures and leading to minimal image noise.

A memory card

As a photojournalist, you’ll have a lot of data that needs storage and transfer to your computer; that’s where a memory card comes in handy.

Get a memory card that can hold plenty of photos — ideally over 1000 photos, if not more. Find a memory card of at least 16 GB, ideally, one that has 32 GB, 64 GB, or more.

A memory card is also essential in boosting your camera’s speed, which is critical in photojournalism.

Fast memory cards minimize your camera’s “buffering” time, helping you take more shots within a short time.

Cleaning kit

As a photojournalist, you want images of the highest quality.

It’s therefore essential to avoid minor smudges on your camera as they can distort details and get in the way of a photo’s overall quality.

To maintain your camera’s filters and lenses, get a cleaning kit with cleaning spray and a microfiber cloth.

Additionally, there are other alternatives, such as wet and dry cleaning products.

Preguntas frecuentes

What brand of camera do most professional photographers use?

Most professional photographers use Nikon DSLRs or high-end Canon like EOS 5D Mark IV cameras.

However, there are many excellent choices depending on the professional results you want.

How many megapixels do professional photojournalist cameras have?

Professional photojournalists cameras have more than 20 megapixels.

Nonetheless, some admit that 12-megapixel digital cameras serve them perfectly as they provide clear digital pictures which they can print in every size.

What is the most important thing to look for when buying a camera?

The most important thing to look for when buying a camera is file size or MegaPixel (MP).

The higher the MP, the sharper the photo will look, and the larger you can print.

What is the focal length of photojournalism?

The focal length of photojournalism is 35mm.

However, it can be lower or higher depending on the quality you expect and the kind of project you want to work on.

What is the best lens for documentary photography?

The best lens for documentary photography is 50mm.

It provides excellent captions for outdoor and indoor photography without optical distortion.

Reflexiones finales

¡Ahí tienes! Ten best cameras that you ought to invest in as a photojournalist.

Each of them is packed with photographic tech to help you take excellent images.

We and other camera enthusiasts have extensively tested each camera and they have all proved to be top performers within the boundaries of what it’s supposed to do.

It’s important to note that the best photojournalism camera depends on what you intend to shoot.

If you are focusing on fashion or beauty, you want a camera with a high resolution so you can crop in and print images on a large scale.

If you are focusing on news and sports, consider the tracking capability, burst rate, and weather sealing of your camera.

If you’re a beginner in the photojournalism field, you may want to get something less intimidating, like an entry-level DSLR that can help guide you through camera filters and settings.

Alternatively, you can purchase one of the cameras discussed above.

After this, take the time to read the manual and reviews for excellent quality images which will take your photojournalism career to the next level.