Los mejores micrófonos para cámaras de video DSLR:las 10 mejores reseñas y la guía de compra

La mayoría de la gente estará familiarizada con las cámaras DSLR. Han sido un estándar de la industria durante muchos años, pero tal vez algunos no estén tan familiarizados con la versión de video. Le dieron la vuelta a la filmación del video cuando se convirtieron en una amenaza y luego, a los ojos de algunos, superaron lo que es posible con una videocámara.

La grabación de video completo en alta definición a 720p o 1080p deja a una videocámara muy por detrás en calidad.

Ya sea que esté filmando un blog de video, algo para Youtube o tal vez sea incluso más aventurero, si está produciendo imágenes de gran calidad, necesitará algo más:audio de gran calidad.

Esto significa un micrófono de gran calidad o un dispositivo de grabación de audio. La mayoría de estos micrófonos serán lo que ellos llaman "micrófonos de escopeta". Son unidireccionales y, para lograr los mejores resultados, deben apuntar a la fuente de sonido.

No deben confundirse con los "micrófonos boom", donde boom es solo el nombre que se le da al soporte del micrófono.

Entonces, echemos un vistazo a los mejores micrófonos para cámaras de video DSLR...

Reseñas de los 10 mejores micrófonos para videocámaras DSLR de 2022

1. Rode VideoMicPro Micrófono direccional compacto para cámara
2. Micrófono de condensador montado en cámara LensHopper VP83F de Shure
3. Micrófono direccional Canon DM-E1
4. Micrófono de vídeo supercardioide con grabadora VMIC de Saramonic
5. Micrófono dinámico Audio-Technica AT8004
6. Micrófono de cañón Sennheiser MKE 400
7. Tascam TM-2X Micrófono estéreo X-Y para cámaras DSLR
8. Micrófono de mano omnidireccional Shure VP64A
9. Cápsula de micrófono de cañón estéreo Zoom SSH-6
10. Micrófono condensador estéreo de alto rendimiento Azden (SMX-10)

1 Rode VideoMicPro Micrófono direccional compacto en cámara

Rode sabe un par de cosas sobre la producción de grandes micrófonos; veamos qué tienen con el VideoMicPro.

El VideoMicPro es un micrófono que ha sido diseñado para su uso con cámaras DSLR. También funcionará con videocámaras. Cuenta con un micrófono de condensador de cápsula que brinda excelentes resultados con bajas proporciones de ruido propio. Y producirá audio con calidad de transmisión. Se conecta a la cámara a través de un jack de 3,5 mm.

Sin ruido de fondo…

Su diseño supercardioide significa que cualquier ruido ambiental se reduce al mínimo y el micrófono se concentra en recibir el sonido del sujeto. Cualquier posible ruido o retumbar se reduce gracias al amortiguador incorporado para garantizar que los resultados sean lo más limpios posible.

Está construido para ser compacto y liviano para que sea fácil y cómodo de usar y funciona con una batería de 9v que debería brindarle aproximadamente 70 horas de uso.

Para reducir los ruidos externos en las inmediaciones, está equipado con un parabrisas integrado de espuma.

¿Qué pasa con las especificaciones?

Las instalaciones de grabación incluyen un filtro de paso alto de dos pasos y un control de nivel de tres posiciones. Están ubicados en la parte trasera del micrófono para un fácil control cuando está en uso.

Los ajustes de nivel aumentarán los niveles según sea necesario. La atenuación de -10dB para sonidos fuertes como la batería y el aumento de +20dB diseñado exclusivamente para cámaras DSLR. Esto le permite reducir el nivel de entrada, lo que en efecto también reduce los sonidos no deseados del entorno.

Es un micrófono decente que produce audio de buena calidad. Funcionará mejor cuando esté cerca de la fuente en lugar de trabajar a distancia cuando puede tener un poco de dificultad.

Ventajas

• Fácil de usar.
• Audio de buena calidad.
• Batería de larga duración.

Contras

• Para el sonido principal, deberá estar cerca del sujeto.

2 Shure VP83F LensHopper Micrófono de condensador montado en cámara

Shure sabe un par de cosas sobre la producción de micrófonos de calidad. Creo que todos somos muy conscientes de eso, así que no estoy exactamente seguro de por qué hice la declaración. Tal vez en caso de que alguien haya aparecido desde fuera de la Galaxia.

El VP83F Lenshopper es un micrófono de cañón que tiene un condensador montado en la cámara que brindará grabaciones de audio de calidad. Está diseñado específicamente para funcionar con cámaras DSLR, pero también funcionará con videocámaras.

Sin ruidos no deseados...

Su diseño de patrón polar es altamente direccional y reducirá la cantidad de ruido no deseado. Mientras que el audio se graba en tarjetas MicroSDHC que soportan hasta 32GB. Estos son archivos WAV a 24 bits/48 kHz.

Y para garantizar que las vibraciones o los ruidos operativos de la cámara se reduzcan al mínimo, se utiliza un sistema de choque Rycote Lyre.

Aborda los problemas de grabar el objetivo en una variedad de entornos diferentes al tener un rango de ganancia de 60Db y también un filtro de corte bajo. La ganancia se puede ajustar en configuraciones de 1dB para brindarle un control absoluto.

Construído para perdurar…

Con características de diseño típicas que hacen que sus productos estén hechos para durar, el VP83F tiene una construcción de metal pero sigue siendo liviano. La entrada de audio se realiza a través de un cable desmontable de 3,5 mm y hay una salida de auriculares estéreo para monitorear el audio.

El viento y otros ruidos externos se reducen con un parabrisas de espuma. Pero en condiciones de viento, es posible que necesite un protector contra el viento, pero la mayoría lo necesitará.

Claro y fácil de usar…

Una gran característica de esta cámara es la pantalla LCD retroiluminada para el menú de operaciones, que es clara, totalmente inclusiva y hace que la unidad sea fácil de usar. Esta facilidad de uso es asistida por la operación de grabación con un solo botón.

Dos pilas alcalinas AA le darán aproximadamente diez horas de duración de grabación.

No será el más barato que encontrará, pero entonces está comprando el conocimiento y la calidad de Shure.

Ventajas

• Construcción sólida y resistente.
• Pantalla LCD clara retroiluminada.
• Fácil de usar.

Contras

• No es el más barato.

3 Micrófono direccional Canon DM-E1

Canon es uno de los líderes del mercado en cámaras y productos asociados, pero tal vez no sea tan conocido por la reproducción de audio.

Entonces, veamos qué tienen en oferta...

El DM-E1 es un micrófono para su cámara, pero ofrece algunas opciones adicionales. Normalmente, estas cámaras son cámaras de escopeta, y esta tiene una configuración dedicada para cumplir con el tipo de operación de "apuntar directamente al objetivo", pero va un poco más allá.

Con el DM-E1, tiene más control sobre la dirección, así como configuraciones estéreo conmutables de 90 grados y 120 grados. Estas son buenas ideas y agregan una opción adicional al potencial de filmación y sonido.

Cubre todos los grados…

The 90 degree setting can be used for a single target, but it will also include some peripheral content allowing you to include groups into the shot and sound. The 120 degree will, of course, give you a wider field to work with and might be suitable for filming what is happening on a stage.

It has been designed to be usable with most cameras featuring a 3.5mm socket that have a dedicated movie mode. And has a frequency response range of 50 Hz to 16kHz.

No vibrations…

Built in is a windscreen that will assist in reducing any unwanted external sounds from wind, and the standard shock mount is is included to reduce any camera vibration or associated noises.

Plus, this best Microphone for DSLR Video Camera doesn’t drain the battery resources of the camera and runs of its own button type lithium cell battery. A battery status light is featured on the camera body.

Pros

• Shotgun plus further options.
• Degree settings for wider stereo fields.
• Produces reasonable audio.

Cons

• Battery life indicator does not present an actual constant status.

4  Saramonic VMIC Recorder Super-Cardioid Video Microphone

The Saramonic VMic is a robust shotgun microphone that is well made and can be described as a premium microphone. That does not mean to say it is poorly made or that it performs badly. Saramonic has produced a mic that is designed to deliver a good quality product at an affordable price.

It is made with a metal construction to withstand the potential rigors of video production and cane work with DSLR’s, video cameras and the best portable audio recorders. It also possesses a stable shock mount system to remove any accidental or unwanted camera noise.

Hear exactly what is being recorded…

A good feature on the VMic is a built-in headphone output. This can be important as some cameras do not have a headphone jack and therefore you could not hear the sound recording as it is happening.

The controls are basic and easy to use. If your camera is a little noisy, the +20dB boost provided will allow you to reduce the volume on the preamp of the camera to let you produce a clean sound. While the -10dB setting allows you to record in loud environments, live groups, or stage shows, for example.

It records to a micro SDHC card at 16-bit, 48kHz.

Get that tone…

Further tonal control settings include a low-cut control that will rid you of unwanted low frequencies and a boost for high frequencies that will clarify the sharpness of the recording. It includes an LCD display which allows you to view and control the settings through a menu system.

It produces a good quality sound. Maybe not the best you will find, and it doesn’t possess some of the features that other more expensive microphones have, but for the cost, it is very good value.

Considering Saramonic have designed and manufactured a premium microphone for your DSLR there are a lot of features built in and with its rugged construction it represents a good buy.

Pros

• Good features and sound options.
• Built-in Headphone output.
• Cost effective price.

Cons

• Slightly limited when it comes to sound management options.

5  Audio-Technica Dynamic Microphone AT8004

Audio-Technica is well-known for producing quality microphones at cost effective prices.

The first thing that is evident with this mic is that it is built to be used. It has a tough housing with a steel grille that has been hardened to withstand impact.

Real world sounds…

It is a dynamic mic and has a polar pattern, and its omnidirectional range means that some surround sound will be included. This is a negative aspect for some but for others, it is required for the ambiance of the project.

It could also be useful when working with people who may not be used to being interviewed and who turn the heads and body without realizing. When they do, the speech will still be collected by this mic. It also carries a shock mounting system that reduces handling noises.

The voice is reproduced naturally through the transparency of audio reproduction.

Get that exclusive interview…

Clearly, from its design, it is built with certain functions in mind and is likely to be handheld. It is therefore ideal for in the field interviews at sports events or other outside activity.

It probably isn’t the kind of mic you would use to capture wider noise like crowds at sporting events as the primary function, and the individual target probably needs to be within a range of about 3 feet for best results.

Being omnidirectional it will pick up other sounds, but it is still most effective in interview-type mode with the other sounds just adding a little ambiance. The sound is good and clear, and it produces good results.

It uses an XLR connector and therefore will not connect directly to a DSLR, but adapters are available.

For the cash outlay a very good mic for the purpose it was designed for.

Pros

• Well built and rugged.
• Great for adding a little ambiance.
• Good value for money

Cons

• Might be limited in activity range for some.
• You may not want any ambiance, only the source signal.

6  Sennheiser MKE 400 Shotgun Microphone

Sennheiser has tried to design a sound solution that will satisfy the run of the mill handheld video camera and also work with larger models. It is, therefore, a solution to producing high-quality audio on consumer products and even to a professional level.

It is made with a metal frame that is obviously designed for being able to handle plenty of activity, but when it’s in the hand, it doesn’t feel that strong. This might be unfair on this mic. It is quite small and very light, and it may be that the lack of weight and substance creates the feeling of a lack of stability.

Sennheiser is not known for building sub-standard equipment, so the size and weight are possibly the reason.

Low cut the wind away…

It has a shock mount system to protect against handling and any vibration noises. It also has a low cut filter switch that will cut out light wind noise, though, if you will be working in high wind environments a muff will be needed as with all mics.

There is a switchable control for sensitivity that allows you to reproduce a quality sound over either long or short distances. While a single AAA alkaline battery will deliver a staggering three hundred hours of use.

Quality at a great price…

It produces good quality audio, is small and easy to use and comes in at not too expensive a price. It isn’t the cheapest, but you will be getting Sennheiser quality.

Made in Germany.

Pros

• Good audio reproduction.
• 300 Hours of battery life.
• Lightweight and easy to use.

Cons

• Take care when handling.

7  Tascam TM-2X Stereo X-Y Microphone For DSLR Cameras

The TM-2X is a microphone that will record stereo audio to the input on your DSLR camera. And Tascam has made the setup as easy as possible, and it only requires you to connect the chord to the input jack on the camera. And no batteries are required as it takes its power from the camera.

A great feature of this microphone is that it fits directly on to your DSLR, but then it can swivel around up to 180 degrees. This will allow you to rotate the microphone only to capture sounds either to the side or behind what is being filmed. It also has a fitting to be attached to a tripod if required.

And to make sure it will operate with most brands of camera there is an input sensitivity switch.

No windy recordings…

Tascam have taken particular care in their design to try and alleviate the problems of external noise. Cameras are quite often used outside in any number of environments and are subject to the elements.

They have installed a switchable low-cut filter to eradicate unwanted noise from low frequencies, and a fur windscreen will attend to wind and any other unwanted naturally occurring noises.

There is also a noise isolation arm that is designed to prevent noise being picked up from the camera’s lens or other operational activity. This is aided by a floating support structure underneath the mic.

As with all things Tascam, this best Microphones for DSLR Video Camera is made to a high standard.

Pros

• Good noise isolation options.
• The mic will swivel round through 180 degrees.

Cons

• Has a few plastic parts and needs handling care.

8  Shure VP64A Omnidirectional Handheld Microphone

Of course, there would be a Shure. Where there are microphones working you will find a Shure doing its job, usually to a very high standard. The VP64A is designed for audio and video production at a high level. It is a handheld omnidirectional dynamic microphone that has a high output.

Built to deliver high performance…

The cartridge utilizes a neodymium magnet that delivers a higher output and better signal to noise ratio.

It is protected by a rubber isolation mount to reduce any handling noise and to make it tough and sturdy. Tough and rugged mic’s are what Shure do, of course. There will be some handling noise, you cannot avoid that, but it is kept to an absolute minimum and isn’t noticeable with good mic handling.

There is a windscreen supplied to protect against the wind in outside use, and it has a water-resistant mesh cover that allows it to be used in inclement weather.

Quality and clear speech reproduction…

The frequency responses are designed to produce quality and clear speech reproduction. And the positioning of the mic is variable due to omnidirectional polar pattern design, which makes the location less critical.

And because Shure expects this best Microphone for DSLR Video Camera to be used in live situations, they have made it look understated and professional in its appearance.

Great sounding and built to last…

The reproduced sound is excellent as you might expect from Shure and the build quality good and long-lasting.

It is not a shotgun mic and therefore picks up an amount of surround sound but also helps to assist in interviews with inexperienced people who might ‘wander.’

It uses an XLR connector and therefore will not connect directly to a DSLR.

The price tag is not expensive at all.

Pros

• Shure build quality.
• Good reproduction.

Cons

• Does not connect directly to a DSLR.

9  Zoom SSH-6 Stereo Shotgun Microphone Capsule

Something a little different with the Zoom SSH-6. The company has designed a Shotgun microphone that has a multidirectional range for picking up sound not only from the direct source but also from left and right.

More about that soon…

It has specifically been designed to work with their H5, H6, Q8, and U44 audio recorders. And has all the qualities to record professionally sounding voice reproductions.

Zoom has been very clever with this design. The capsule has a multidirectional mic for picking up sound from the center target as per a Shotgun microphone. It can though utilize its onboard bidirectional mic for collecting sound from either right or left of the target.

What will this do?

It will produce a fully mono-compatible stereo result that can be used in TV projects, film or video. You are therefore able to record the target with the center mic and then build around it the sounds captured by the side mics. The reproduced sound is very crisp and clear, but with very little bottom end.

It is well-built, mostly of metal with just a few plastic connection fittings, so it is built to withstand the rigors of outside recording. And it includes a hairy windscreen to reduce wind and associated environmental noise.

At the price, it is good value with options other mic’s do not enjoy.

One thing to consider is that this mic will only work with certain Zoom devices.

Pros

• Allows mono center and multidirectional recording.
• Rugged build.

Cons

• Will only operate with certain Zoom products.

10  Azden High-performance (SMX-10) Stereo Condenser Microphone

The SMX-10 is a condenser microphone that has been built for use with standard video cameras. It is a directional stereo mic that gives a good stereo placement and sound quality at a price that is not excessive. And it includes a windscreen for cutting out unwanted noise and the mount for camera fitting.

The camera is lightweight and is powered by one AAA alkaline battery which it is claimed will give you up to 400 hours of operation. The battery is not included. It has a coiled cable with a 3.5mm connector.

Records stereo sound very precisely…

Included is the SMH-X shock mount that will eliminate any noise or vibrations from the camera or when mounted on a tripod or boom. It records stereo sound very precisely and automatically rejects any off-axis noise or sounds.

It is not a professional mic by any means, but it does produce very acceptable quality audio. The stereo performance is very good, and the rejection of unwanted sounds impressive. It doesn’t have to be right in the face of the target either and will record quality from a reasonable distance.

Better than outstanding, for the price…

It has to be said though that the quality produced by this mic is very good and when considered with the price is better than outstanding.

The build quality is best described as ok being part metal and part plastic, so maybe a little care is needed in handling.

It’s a good buy if you just want to get great audio for some simple video without spending a fortune.

Pros

• Produces good audio.
• Cost effective.

Cons

• Handle with care if using it outside.

Best Microphones For DSLR Video Camera Buyers Guide

Time To Put Some Good Audio With Your Video

We read in some journals about the poor quality of the microphones that are provided with today’s video cameras. It’s all a bit unfair in many ways. It is a ‘video’ recorder, not a ‘video and audio’ recorder. The most important aspect is recording quality video; the sound is an afterthought in most cases. And to be honest, they’ve done well to provide any sound recording facility at all.

But as technology advances and we all become potential Spielberg’s, or think we are, then demands on the equipment we use will get higher. Expectancy levels rise, and the manufacturers are not really geared up, or it seems interested in providing high-quality sound for a basic commodity like a video camera.

I think we can all understand that.

There are some that produce better quality, but these are very expensive pieces of kit, and most people are already using their mid-priced range cameras and just want better audio.

Nothing wrong with that.

We have tried to find what we consider to be the best microphones for DSLR video cameras. There are many options, some specializing in certain areas others just good all-rounders. But you need to ask yourself the question…

What Will I Use It For?

Is it for fun with the family, holidays with sound, days out recording the kids as they grow up?

Maybe its for publication albeit at a lower level. Or possibly you need real quality for work projects that need to be just right?

All of the microphones we looked at impressed us in one way or another; that’s why they made it to our review. But they tended to be designed to fulfill certain functions and work in certain environments.

Some were the Shotgun kind, concentrating the sound from one source; others collected the sound from wider sources. Some were for outside broadcasts, maybe sporting events or similar. While others are more suited for quieter one to one interviews.

Deciding how you will use your best Microphones for DSLR Video Camera is important in making your choice.

No background noise…

Where Will I Use It?

This is vital. Some microphones are rugged and built for the outside. They have onboard equipment and extra facilities provided to cut out wind and environmental noise that you will experience if you are filming outside.

If you intend to use it mostly out of doors, it will need to be well built and have these facilities.

What Does It Look Like?

Sounds a rather irrelevant question for a microphone but if you are using it for a live broadcast or a recording where it is visible on camera, perhaps an interview, then it needs to look professional.

There are a few issues to consider, but amongst the microphones we have reviewed, we think you will find the best microphone for your DSLR video camera.

So, What Are The Best Microphones For DSLR Video Camera?

We would want it simple to connect and operate and obviously produce as good a sound as we can get. Good noise reduction is important but also some versatility because it could be used in a variety of venues. We have therefore decided that the best microphone for a DSLR video camera is the…

Tascam TM-2X Stereo X-Y Microphone For DSLR Cameras

Well-built, easy to set up and use and with a rotation of audio field that will provide interesting sound options.

A quality microphone at a realistic price.